首页/News/Audio authority Liu Hansheng attended the 6th Beijing International Audio Exhibition, highly praising the Violin Temple · Violin Temple Treasure Hall.

Audio authority Liu Hansheng attended the 6th Beijing International Audio Exhibition, highly praising the Violin Temple · Violin Temple Treasure Hall.

管理员June 3, 2026
Audio authority Liu Hansheng attended the 6th Beijing International Audio Exhibition, highly praising the Violin Temple · Violin Temple Treasure Hall.
Audio Authority Liu Hansheng Attends the 6th Beijing International Audio Show, Praises Violin Temple Treasure Hall In May 2026, the 6th Beijing International Audio Show was grandly held at the Beijing Music Industrial Park. Mr. Liu Hansheng, a renowned Taiwanese audio critic and former editor-in-chief of *Audio Forum* magazine, personally visited the exhibition, toured each hall, and wrote a detailed show report based on his decades of professional listening experience. At the DIBEISI booth, Mr. Liu Hansheng lingered for a long time. He sequentially evaluated the DIBEISI flagship speakers DBS 1818, the Oriental Aesthetic Audio Cabinet, and the Violin Temple Treasure Hall located in Building 6. These three exhibits—from high-end speakers to lifestyle audio systems and then to a collection of fine violins—showcased DIBEISI's comprehensive layout in the acoustic field. Among them, the Violin Temple Treasure Hall left a particularly deep impression on Mr. Liu Hansheng. "An audio manufacturer with such vision—truly, DIBEISI should not be underestimated." In his report, Mr. Liu Hansheng specifically wrote: "This is DIBEISI's Violin Temple Treasure Hall in Building 6. It houses works by renowned contemporary Chinese luthiers. This was created through a collaboration between DIBEISI and a musician who returned from abroad. An audio manufacturer with such vision—truly, DIBEISI should not be underestimated." This evaluation deserves careful reading. Mr. Liu Hansheng's use of the word "vision" to describe an audio company's initiative to establish a violin treasure hall is no ordinary praise. In the audio industry, it is natural for companies to focus on equipment R&D and sales, but DIBEISI has crossed industry boundaries, gathering the painstaking works of contemporary Chinese luthiers and presenting them to the world in the form of a treasure hall. This breadth of vision and foresight is precisely what Mr. Liu Hansheng praised as "vision." Cross-Border Endeavor: Deep Resonance Between Audio and Violins The establishment of the Violin Temple Treasure Hall stems from a simple yet profound belief: the beauty of sound should not be confined by industry boundaries. Audio and violins—one is acoustic reproduction, the other acoustic creation—both ultimately aim to reach the human heart through sound as a medium. DIBEISI has delved into the acoustic field for years, from independent R&D of speaker drivers to precise design of electronic crossover systems, always pursuing the faithful reproduction of sound. The violin, as a pinnacle of human acoustic engineering, shares profound structural principles with speaker design in its resonant body. The Violin Temple Treasure Hall transforms this commonality from theoretical understanding into a tangible, experiential space. The hall gathers representative works by famous contemporary Chinese luthiers, paying homage to and preserving Chinese luthier craftsmanship while providing a professional platform for music lovers and experts to appreciate, exchange, and purchase. The consignment model allows each fine violin to meet buyers at a reasonable price, breaking the long-standing issues of opaque information and unfair pricing in the violin market. Oriental Aesthetics: Another Possibility for Audio In the same report, Mr. Liu Hansheng also highly praised DIBEISI's Oriental Aesthetic Audio Cabinet: "This design is truly unprecedented—it can be placed in a living room corner or an office for background music. The price is reasonable, the appearance is elegant, and only DIBEISI could have thought of it." "Truly unprecedented"—these six words from the most authoritative critic in the Chinese audio world carry immense weight. The Oriental Aesthetic Audio Cabinet integrates Ming and Qing dynasty furniture forms with acoustic engineering, combining vinyl playback, Bluetooth connectivity, and a three-way speaker system into an elegant audio cabinet. This represents a groundbreaking reimagining of traditional HiFi equipment. In his report's conclusion, Mr. Liu Hansheng wrote: "DIBEISI keeps getting better, with products across various categories and price points." From the flagship DBS 1818 to the Oriental Aesthetic series, from speaker manufacturing to violin collection, DIBEISI is building a complete ecosystem centered on sound, covering diverse scenarios. Beijing Music Industrial Park: A New Acoustic Landmark During the audio show, Mr. Liu Hansheng also visited a large recording studio under construction in the Beijing Music Industrial Park and noted in his report: "The floor area is about 500 square meters, with a height of 13 meters, capable of accommodating a triple-wind orchestral ensemble and choir for recording. It features six layers of glass soundproofing and uses 8,000 meters of internal cabling. It plans to use a Neve mixing console and Quested monitoring speakers from the UK. Expected completion is 2026. This will be a larger recording studio than CCTV's." This recording studio, along with the Violin Temple Treasure Hall, is located in the Beijing Music Industrial Park, forming a complete acoustic industry chain from violin making and acoustic R&D to professional recording. The violins in the Violin Temple Treasure Hall may one day leave their timeless sound in this studio. Conclusion Mr. Liu Hansheng's remark, "DIBEISI should not be underestimated," is both an acknowledgment of a company and a footnote to a new direction for China's acoustic industry. When an audio manufacturer no longer confines itself to equipment but embraces a broader world of sound with "vision"—from preserving violin craftsmanship to shaping the future of professional recording, from expressing Oriental aesthetics to deepening acoustic technology—a complete path for Chinese sound is unfolding. The Violin Temple Treasure Hall stands as a milestone on this path. Some quoted content in this article is from Mr. Liu Hansheng's report "2026 6th Beijing International Audio Show Report" published on Pulo Audio Network, original link: https://www.audionet.com.tw/thread-19093-14-1.html